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Designs on innovation

Edited by: Tim Mendham

Fields of Interest: 

Maureen Thurston and Brad Graham describe design thinking, a new approach to business innovation and how to encourage it.

For decades, corporate Australia has been over-reliant on data and analytics to guide decision making, often at the expense of innovation.
The old adage "numbers don't lie" is something many business leaders have readily adopted as their modus operandi. The issue with these numbers is that while they can help you understand the present, they can't help you imagine the future.

This is why many management teams are now mastering a new set of techniques captured under the umbrella of 'design thinking'. What these techniques do is stretch the art of management and strategy development to help people envision new futures - things we cannot 'control' through data, spreadsheets or analysis.

Creative tools and techniques taken from the design profession, used to create such design-oriented products as the iPod or ergonomic chairs, are being employed to transform business processes, re-invent corporate strategy, create new products and professional services and carry out change management.

Appreciation of the value that design thinking can bring to business is building momentum across Australia's blue chips and leading agencies. For instance, our firm, Second Road, works with Downer EDI, AMP, Leighton Holdings, CBA, Suncorp, the ABC, PwC and the Australian Customs and Border Protection Service, to name a few.

Unlike more traditional management efficiency techniques which hinge on analytical thought, like Six Sigma, design thinking starts with an intense focus on observing people as they go about their daily lives at work or in a social setting and listening to them.

Analysts commonly refer to this as 'field research' which, instead of exclusively relying on data points to make decisions as analysts do, anecdotes and experiences are gathered through observational research.
The key is to use dialogue to gain a deep understanding of the expectations of all stakeholders, inside and outside the enterprise, rather than work towards an immediate solution to a problem or opportunity. These insights are then acted upon in facilitated exercises that encourage an open and non-judgemental exchange of ideas and issues, from which, like designers, the participants then synthesise their insights into the issues.
PowerPoint presentations presenting a finished solution are out. Instead, managers are encouraged to visualise their ideas, which can vary from a simple drawing to a three-dimensional mock-up of a business problem or idea, which is tested and retested.

When Suncorp merged with insurance giant Promina in 2007, Second Road used visualisation and collaboration in a series of 'strategic conversations' to empower both groups to shape their future. The notion that a "picture is worth a thousand words" rang true for both organisations, which had to undergo massive structural and cultural change as a result of the $8 billion merger - one of Australia's largest ever corporate marriages.
For Suncorp's Commercial Insurance (CI) group, we drew upon a standard design technique - the use of metaphor - to help them visualise their future based on the metaphor of a 'thriving city' to represent how people saw the merged entity. Labelled SunCity, the design team drew a map of the new business with its own piazza, streets, parks and buildings representing the new business' values as well as its customers, suppliers, advocates and the wider community.

Space on the map was allocated for people to create their own neighbourhoods within the city, allowing senior managers to collaborate together to work out how their areas fit into the city and fulfilled the wider vision. Interestingly, the chief financial officer's office became 'lifesavers', with a banner over its neighbourhood encouraging people to "swim between the flags", to explain how it saw its rules and guidelines.
The experiment worked.

Staff surveys showed 94 per cent of employees understood the vision for the business and how they fit into it, as opposed to 48 per cent before. They also reported a 76 per cent increase in the extent to which employees felt their colleagues understood the vision.

Darden Business School, one of the world's leading management schools, believes the processes of visualisation and collaboration were instrumental in creating a compelling vision for the new Suncorp CI community and achieving buy-in throughout the organisation. The school has created a full case study to use as part of its teaching collateral.

Businesses and government organisations are increasingly turning to the design world to source new approaches to management. Some, like Suncorp, are grappling with new organisational structures or operating in a new competitive landscape. Others, like the Australian Tax Office (ATO), are looking for new approaches to old problems.

On paper, the design world and the Tax Office seem like strange bedfellows but the ATO was one of the earliest adopters of design thinking in Australia. It has used design thinking to improve its executive reporting processes and to set up a 'product review lab' to examine and improve tax documents based on how people interact with them.

The impetus was the introduction of the goods and services tax. With compliance and complexity causing major headaches for both the Tax Office and taxpayers, design thinking was employed to repair what many people believed was an incomprehensible tax form.

That realisation lead to a redesign based on the insights gathered through observation-oriented design research techniques. In one session, a manager from a small business was observed battling her way through an early business activity statement and broke down in tears when she was told she would have to fill it out every three months.

Early on, the ATO recognised the importance of using design as a means to understand and respond to its customers. Today, it has its own design department, and the former Tax Commissioner Michael Carmody has again instituted design thinking in his current role as chief of the Australian Customs and Border Protection Service.

While design thinking is a very powerful tool, that's not to say analytical techniques such as Six Sigma don't have their place. It's hard to imagine the ATO developing new tax regulations or audit programs without doing a traditional analysis first.

The key point for business is that design thinking can be just as effective and work hand-in-glove with more traditional management techniques.
In many companies that have elevated design across the business, such as Proctor & Gamble, innovation and the bottom line have been boosted. According to a 2003 report by the Danish Design Center, increasing design activity, such as design-related employee training, boosted a company's revenue on average by 40 per cent more than other companies over a five-year period.

While design thinking tools were initially developed by designers in their constant search for truly innovative new products, they can be embedded into any enterprise and taught to people with no background in the visual arts.

In his book The Creative Priority, Jerry Hirshberg coined the phrase 'creative abrasion' as a way to describe the journey from perspiration to inspiration - the tension, angst and effort encountered along the way to value creation. While design thinking is such a journey, it is important to understand that it is not a random one sparked by a 'eureka moment'. It is a disciplined process with a distinct set of critical skills - observational research, collaboration, visualisation and prototyping - that help to formulate and implement innovative and compelling value propositions.

Design thinking can certainly be a force for positive change but it requires bold leadership and a leap of faith.
By taking this leap, businesses have a real opportunity to shift the traditional idea from genius and innovation being 99 per cent perspiration and 1 percent inspiration to a more balanced split.
Maureen Thurston is a former associate professor at the Californian Art Center College of Design and is currently a design leverage consultant with innovation consultants Second Road. Brad Graham is senior consultant, also with Second Road.

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